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Paulo Amsel

7/21/2020

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Being the woman the central theme of this series, she is approached as an unfolding of a single individual, who is multiplied in different personalities, varied social contexts and a physical aspects transversal to those of a kind.

Despite the bright colours with which she represented as well as the outfits she wears, she is a mysterious being who does not smile, that is very sharp, cerebral and suspicious but who does not let her world be debauched by those she does not want.

The design is fast and fluid, without resorting to stylistic manoeuvres and without classicist ambitions.

The technique is basic and unpretentious.

The result is neither more nor less than what was intended.

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www.instagram.com/pauloamsel
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KOJO MARFO AT JD MALAT GALLERY

7/21/2020

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Picture
Kojo Marfo, Mace and Armour, 2019, Acrylic on canvas, 150 x 120 cm
Following the open-call group exhibition Isolation Mastered, JD Malat Gallery is pleased to announce that Kojo Marfo has officially joined our incredible roster of artists and diverse gallery programme.

Kojo Marfo (born 1980) is a Ghanaian artist based in London. Marfo developed his interest in art and visual culture through traditional Akan artifacts, sculptures and carvings that he was exposed to as a child growing up in Ghana. These artifacts still remain a vital source of strength for Marfo. He references traditional Akan art to highlight social issues, such as inequalities, religion, politics, and spiritualism. After travelling to New York and London, Marfo has developed a unique style that encompasses his wide range of influences in an effort to express his experiences and comment on society.

Marfo’s work seeks to re-establish the immense richness that is lacking in mainstream representations of African people. He hopes to explore a self-referential perspective of the Black image by creating figurative abstractions that showcase the beauty woven into Africa’s social and geographical fabric.
Picture
Kojo Marfo, Bird of Wisdom, 2020, Acrylic on Tarpaulin Shop Banner, 100 x 80 cm
“I want people to see my work as a reflection of my Akan culture and my struggles living in the West. I want my artwork to create a connection with people, to be a symbol for everyone to relate to,” Marfo said. “No matter what you are going through, or where you live, I want my art to help people think and reflect on their inner lives and how it relates to the wider world.”

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www.jdmalat.com
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SANTIAGO PARRA: UPHEAVAL

7/8/2020

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JD Malat Gallery is proud to present Upheaval, a solo exhibition by Colombian artist Santiago Parra, from 15th July to 15th August.

Picture
"When suddenly without wanting it, my arms lift the brush and a splash marks the beginning of the painting, in stupor I watch how the brush moves up and down, side to side and something gets written down on the canvas, I know it’s my unconscious writing but while it happens I am a witness to it all. When the energy has come out I know it’s time to lift the brush out of the canvas. The painting has now finished, I look up, exhausted, seeing it for the first time, I am surprised, amazed, at how this intriguing image has come out of myself"
- Santiago Parra

JD Malat Gallery is proud to present
Upheaval, a solo exhibition by Colombian artist Santiago Parra, from 15th July to 15th August.

Following
Rising Action, the ground breaking solo exhibition that took place in 2018, Santiago Parra is back with his most accomplished body of work to date. Parra has described this exhibition as being more refined and more attuned. He has changed the way paint is applied and chosen deeper blacks with subtle nuances resulting in a more defined brushstroke. The change of style can be attributed to the period of isolation enforced by Covid-19 which had a direct impact on the artist’s aesthetic.

The exhibition consists of fourteen mid to large format paintings created in a span of six months. These paintings were produced during the Covid-19 lockdown, a time of intense emotional tension for the artist. As a result, immense amounts of energy exude from the paintings. There’s a lot of
angularity and composition is highly dynamic while brushstrokes appear to vibrate out of the canvas. Indeed, the artist called the exhibition Upheaval after seeing the paintings together. He liked how the word upheaval refers both to a massive telluric movement and also denotes a violent disruption of his inner feelings.

The subject of these works is simple: Parra yearns to express himself in the freest possible way. In this quest, he has found automatism which was a technique developed by Surrealists, its goal is to express one’s inner world in the purest most accurate way without the control or judgement of social pressures exerted by consciousness. One prerequisite to this kind of work is having the real urge to do it. Parra explains that his
‘objective is to let the practice develop on its own, the less conscious intervention the better’. Covid-19 really helped the artist reach his ideal aesthetic by creating new emotions inside of him that led to these tormented yet energetic canvases.

Every element of the painting: the brush, the paint and the canvas are chosen following the principle of automatism, respecting the inner voice that decides without doubting it, the aim is to empower the natural creative instinct. With everything ready Parra stands in front of the canvas and a multitude of feelings start to affect him, anguish, pleasure, fear, confidence... Here the objective is to decant one’s mind and calm down, breathing is important in the way that each breath has its own tune and one has to find the one that attunes with the canvas. As Parra explains ‘The concentration is beyond intense, every nerve on my body crisps, my muscles vibrate with tension and I begin to roar in an attempt to conquer the canvas, this can last for hours...’


Since
Rising Action, Parra had a daughter which he said has changed him in a way that he had not expected, he has become more focused, clearer minded and this has undoubtedly translated into his work. In addition, Covid-19 has given Parra the opportunity to rethink his place in life, to question his values and aspirations. The upheaval that many worldwide experienced during the pandemic seems ever so accurately portrayed in his monochrome paintings. Now more than ever, Parra’s greatest desire is to make truthful art. If this is indeed the case then his desire is fulfilled, as Upheaval is the greatest portrait of truth one could wish for.

Santiago Parra is in the collections of the Perez Art Museum Miami (PAMM), Miami, USA, Jorge Pérez Collection, USA, Jean et Colette Cherqui Collection, France, Tanya C. Brillembourg Collection, USA, Solita Mishaan Collection, Spain, Cesar Gaviria Collection, Colombia, Kehinde Wiley Collection, USA, and Collection Lazaro, Spain.

Exhibition Opening Hours: Monday – Saturday, 10am – 6pm
15 July - 15 August 2020
JD Malat Gallery, 30 Davies Street, Mayfair W1K 4NB


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www.jdmalat.com


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  • Home
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